Die Ölgemälde alles Simon Vouet
Choice ID Image  Painting (From A to Z)       Details 
40436 Allegory of Wealth  Allegory of Wealth   mk156 1627 Oil on canvas 107x142cm
76032 Diana  Diana   Date 1637 Medium Oil on canvas Dimensions 102 ?? 141 cm (40.2 ?? 55.5 in) cyf
74109 Muses Urania and Calliope  Muses Urania and Calliope   English: Low resolution detail of the muse Urania from The Muses Urania and Calliope Date c. 1634 cyf
98242 Penitent Mary Magdalene  Penitent Mary Magdalene   first half of 17th century Medium oil on panel cyf
20365 Prince Marcantonio Doria (mk05)  Prince Marcantonio Doria (mk05)   1621 Canvas,51 x 37 1/2''(129 x 95 cm)Given in 1979
55762 Saturn,Conquered by Amor venus and hope  Saturn,Conquered by Amor venus and hope   mk244 187x142cm Oil on canvas Bourges
33591 Saturn,conquered byu Amor,Venus and Hope  Saturn,conquered byu Amor,Venus and Hope   mk86 c.1645/46 Oil on canvas 187x142cm Bourges,Musee du Berry
80550 The Rape of Europa  The Rape of Europa   ca. 1640(1640) Medium Oil on canvas cyf
33560 The Toiler of Venus  The Toiler of Venus   mk86 c.1628-1639 Oil on canvas 183.8x153cm Cincinnati Cincinnati Art Museum
55730 The Toilet of Venus  The Toilet of Venus   mk244 c.1628-1639 Oil on canvas 183.8x153cm
87866 Toilette of Venus  Toilette of Venus   1625-27 Medium Deutsch: Öl auf Leinwand English: Oil on canvas cyf
75145 Vierge Hesselin  Vierge Hesselin   Vierge au rameau de chene, dite "Vierge Hesselin" Date Dimensions 97 X 77 cm (38.19 X 30.31 in) cyf
Simon Vouet
French Simon Vouet Gallery 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting.



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